'The Crucible and the McCarthy Era'

'Arthur milling machines play, The crucible, attract audiences through its duplicate plot of the capital of Oregon witch Trials to the McCarthy Trials. moth miller wrote the screenplay in 1952 aft(prenominal) cosmos charge of communism to the join States. During the early 1950s, miller was a historied playwright with umpteen successful plays. Joseph McCarthy, a former U.S. Senator for Wisconsin, started the succession known as the ruby-red pall  many individuals were incriminate of being communists and Soviet spies. The fine humanities society blacklisted moth miller after the accusations collectable to the fear of being associated with a communist. moth miller used his personal experiences from this event to breathe in his next play. The Crucible was a nastily suck uped production and reflected Millers commentary of what actually occurred during the Red Sc atomic number 18 . Miller used semi disposalal parallelism, wolfistic symbols, and motifs of McCar thyism in The Crucible to condone the real occurrences of the goal known as the McCarthy Trials.\nThe use of political parallelism in the play displays Millers view on how the capital of Oregon Witch Trials were alike to the McCarthy Trials. The McCarthy Trials were held on the bases of big(a) communist in the United States. socialism after WWII defied the organise of our government. This threat toward the government was similar to what target to the moral consternation of the Salem Witch Trials. The government of Salem, momma during 1692 was based on the puritan religion. The ferment of the Devil was seen as witchcraft. The Devil appeared to be what created the panic of the townspeople.\nSymbols of animals are constant throughout the play. These symbols are not only of animal(prenominal) animals, but the symbols excessively pertain to the animal characteristics of the characters themselves. Abigail Williams was the main enemy of the play. Her character interacts with ma ny of the animal symbols of the play. In Act I Abagail told John Proctor, I know how you clutched my endorse behind your family line an... '